Last week, we posted the first place winner of the 2014 Best Illusion of the Year Contest. Today’s illusion is the third place winner called ‘A Turn in the Road’ by Kimberley D. Orsten and James R. Pomerantz from Rice University in Houston, Texas. This illusion video shows three images, two of which are matching images with a third image that does match the other two. Viewers see one image as odd, but it’s one of the two identical images that is seen as being different. Orsten and Pomerantz call this illusion a “false pop out.”
John Pugh designs very large trompe l’oeil optical illusion murals and he is doing exactly what he wants to be doing.
I have found that the “language” of life-size illusions allow me to communicate with a very large audience. It seems almost universal that people take delight in being visually tricked. Once captivated by the illusion, the viewer is lured to cross an artistic threshold and thus seduced into exploring the concept of the piece.
His 2007 mural below located in the visitors lobby of the Juvenile Hall in Sacramento, California was commissioned by the Sacramento Metropolitan Arts Commission. It looks as if there is a cut out in the wall leading to an area with trees, green grass, rocks and a small stream. In reality, the entire scene is painted on a flat surface.
The 10th annual edition of the Best Illusion of the Year contest was held on May 18, 2014 in St. Petersburg, Florida. Taking home the prestigious first place prize were Christopher D. Blair, Gideon P. Caplovitz, and Ryan E.B. Mruczek from the University of Nevada Reno. Their illusion was a new twist on an old illusion called the Ebbinghaus Illusion. In the original illusion, two circles are presented side-by-side that are identical in size. One is surrounded by larger circles and the other is surrounded by smaller circles. When asked which circle appears bigger, people typically assume that that one surrounded by the smaller circles is larger than the other one.
In this updated video version, the circles surrounding the center circle expand and contract. As they do, the center circle seems to also change in size even though it remains the same. Have a look for yourself.
Without seeing any of the other candidates, do you think that this was a good choice for first place in this contest?
Using a 22 by 21 grid of baseball cards, mosaic artist Ken Knowlton created this portrait of his grandson titled Nicholas Jensen (Little League Pitcher). The final mosaic, created in 2002, measured 32 inches wide by 40 inches tall once completed.
The further that you stand back from the image, the more recognizable the young boy becomes. If you squint your eyes slightly, you will also be able to see the boy better. A close-up photograph, showing the detailed pattern of baseball cards, can be seen below.
In the foreword of the book Masters of Deception by Al Seckel (Sterling Publishing), Douglas Hofstadter describes Ken Knowlton’s “coarse-grained pointillism” as “pure visual magic”. It would be difficult to argue with that statement.
(via Ken Knowlton)
If you were to climb down this ladder, where do you suppose you would be once you got to the bottom? Artist Nico Laan drew this anamorphic sand ladder on the beach and then used a camera mounted to a kite to take a photograph of it from the proper angle. The person standing in the picture helps to give the viewer a better idea of the sheer size of the drawing.
Two photographs from alternate angles can be found below that help to show how this large anamorphic ladder was created.
It has been a while since we featured one of Andreas Aronsson’s impossible figures. Depending on how you look at this figure, the small (blue) square is either on top of or below the larger (red) square.This figure was made during a particularly hectic time in Andreas Aronsson’s life as he was living out of a suitcase and traveling quite a bit for his job. To see more of his impossible creations, be sure to check out Hoops and Impossible Stairs.
(via Andreas Aronsson)
Bridget Riley was born in London, UK in 1931 and studied at Goldsmiths College and Royal College of Art, London. During the 1960′s, she became well known across the world for her Op Art paintings after exhibiting alongside Victor Vasarely and other artists in New York’s Museum of Modern Art.
The untitled work below from 1962 is based on her previous painting titled ‘Movement in Squares’.
Continue reading the full post to see more examples of Bridget Riley’s work.